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Dear Lovers of Traditional Music,

This has been a musical year for me with much of the year spent doing research on the wonderful old tunes we love and are trying toprotect and preserve for future generations. Researching and discovering new songs and the sources of the old ones fascinates me, especially songs that I heard growing up.  The research was started as a part of my work on the new CD, Sentimental Journey. I knew my parents and grandparents loved the old songs from WWI and WWII, but I didn’t really know much of the history.  In the process of finding the songwriters and the year the songs were popular to include in the liner notes, I ran across an older and deeper level of traditional music that is wonderful and very personal to me.

As I have mentioned many, many times, my Grandmother sang to me from the moment I was born.  I never really wondered where these tunes came from or how she learned them as a poor sharecropper from the Red River.  I realized as I grew up that these tunes were for the most part not played on the radio nor did she even have access to a radio until she was a young adult.  I made two wonderful discoveries this year thanks to people who love and protect traditional music for which I will be eternally grateful.  I would like to share this story with you and to reach out to friends and folks in the dulcimerworld to identify more of these songs.

I began my research back in March of this year at theLibrary of Congress, Washington, DC.  I had the opportunity to spend a day with the director of the Folk Music Center on a Saturday when that center is closed. Since I had come all the way from Texas, the director (thinking she would get work done by coming in to the office when no phones were ringing or no one there) unlocked the door for me and let me come in if I promised to be quiet and not bother her.  I had full access to wonderful old songbooks and histories of traditional music as well as a copy machine.  I then went to the listening rooms and was able to hear the original field recordings of some of the old time songs.  I brought home over 100 songs transcribed from the Appalachian area and other parts of the country and Europe.

One funny experience that happened that day in Washington involved Don Pedi.  He is always coming up with these tunes with crazy names, which he swears are the real deal, true traditional music.  I started teasing him two years ago about making that stuff up. I decided he was tricking us…how would us Texas folks know if there were really tunes with those names in the hollers of North Carolina, right?  I found the sources of almost every one of the fiddle tunes that Don has taught or played for us that day in DC.  So my apologies and my hat is off toPedi.  I’m not sure what all he makes up ... but it’s NOT the names of obscure fiddle tunes.

My next great discovery was made possible by the director ofthe East Texas Museum of Culture in Palestine who introduced me to a man who had inherited the sheet music of the pianist from the silent movie house in Palestine, Texas.  These 5 boxes of music and scripts went back to the late 1800’s. This find was of extremely delicate and crumbling music with rusting straight pins holding it together and in some cases hand stitching by the pianist.  Many of these songs of course I had never heard of but near the bottom of the box I spied a cover that said,“Tomorrow, I’ll be in my Dixie home again!” This was a song that my Grandmother sang to me that my infant ears only remembered a verse or two.  Here was the entire song in print for me!  Again, I came home with copies of old time music that was played in East Texas and the South and was part of my personal musical heritage.

The year ended with a discovery that was virtually in my backyard all along.  The Ozark Cultural Resources Center in Mt. View, Arkansas is a simple one-room library begun in 1977 by Dr. W.K. Bill McNeil, Folklife Director at the FolkCenter.  This Center now houses over 3,000 volumes of regional books on history and folklore, recordings dealing with music of the 1840 to 1940 period (including the live recordings made onthe Center's theater stage nightly since 1973), genealogy materials from theregion, and rare sheet music from early in the century.  

As many of you may know, Dr. McNeil, has been extremely ill and is currently in the hospital.  Two months ago when I went to the Center he was feeling well enough to be there and I am so grateful for that experience.  I was researching the ukulele in old time music and specifically in performances at the Folk Center.  Sure enough when the concerts started in the 70’s there was a woman named Faye McClure who played only the ukulele and made recordings of the old music.  I was able to listen to these and record some of them.  As Dr. McNeil and I talked, I sang a few bars of a song that I had looked for in Washington DC and in the archives of the silent movie pianist from Palestine.  “Somebody’s Waiting for You” was my favorite of the songs my grandmother sang to me. Through the years as I would try to sing it for family members, they would say, “Deb, you don’t have the tune just right.”  Since I lost my Grandmother on my 16th birthday, she was not around to teach me the song again. Dr. McNeil thought the song was from 1906 and that maybe he had it somewhere in the archives.  My Grandmother would have learned that tune when she lived in Hot Springs, Arkansas, before her family came by wagon to Northeast Texas. I heard that Dr. McNeil was back in the hospital and not doing well and I really gave up on finding that song. Last week a copy of the sheet music came in the mail.  It was the best present I could have received.  

I tell you this for several reasons.  One, I think the old tunes that mean something to us as descendents of a family is important.  Darling Nellie Grey is great to find in a  modern songbook, but to know that your Great Grandfather played that song to his children and neighbors adds a level of meaning and importance to me.  I want to play the music my grandmother and her grandmother enjoyed in the parlor or actually performed at dances and churches.  My quest to seek out the sources and the actual tunes and original words of these songs began this year with the help of people like Dr. McNeil.

I am also interested in finding music for friends and members of my community that was important to them.  I found a great story from a woman whose family donated the Farmstead Museum to the City of Pittsburg. “Where the Silvery Colorado Wends its Way” was a favorite of her Father who passed away many years ago.  As a little girl she got to walk every weekday to the corner to meet her Father coming home for lunch.  He would put her on his shoulders and sing this song.  I learned the song on dulcimer for her and she was thrilled to get to hear it again and shared more stories about music sung on her front porch and the history of our town.

I welcome any titles that you may remember or even lines of songs from that pre-radio era that may have been sung by family or friends.  I have made a commitment to myself to spend time at least every other month in the archives at Mt. View finding and then recording these songs.

I hope you had a great and musical 2001.  It isn’t necessary to know the history of this music to love it and to play it with friends.  Much of these traditional songs have been passed along through jams and teaching friends and family.  I think my love of the search is to feel connected to my wonderful Grandmotherand to find more of her songs to pass on to my grandson and his children and grandchildren.  I don’t want the stories and the songs to be lost.  In genealogy research you get to find out where you came from in a technical way, what part of the country and the world, dates and sometimes photos or portraits.  The songs are much harder to find because once we sing a song it is ether and is lost in the mist of time and memory.

Here is wishing you a great 2002.  Pray for peace in the world, more music for our children and less bad news.  Send a special healing prayer to Dr. McNeil and to others who are ill or suffering.  Please contact me if you, too, have special songs you hope to find and I will add them to my search.  

My best to you,
Debbie Porter

Lyric’s Mama Music
lyricsmama@aol.com
www.accessgrants.com/lyricsmama.htm